Digital Textuality: An Introduction to the Project

In the introduction to Jacques Derrida’s printed lectures on the concept of archives, Archive Fever: A Freudian Impression, Derrida offers a tantalizing hypothetical. He wonders how the discipline of psychoanalysis might have been born in the crucible of contemporary digital cultures. Derrida says:
One can dream or speculate about the geo-techno-logical shocks which would have made [...]

social_networksChoose your buzzword: Social Networking; New Media; Web 2.0… the terminology might vary from person to person, and it might change daily, with entrepreneurial techies trying to “cash in” on the newest Internet-based fads, but the result for the archive of the Internet is a publication of the personal archivization process.  But first, a caveat.  An easy mistake (and, admittedly, the mistake of my own first attempt at this post) is to suggest the Internet and online processes make personal archivization of one’s own life easier and more common.  Such a suggestion would misrepresent the concept of archives.  People have, for centuries, been archiving themselves and their lives.  What is a scrapbook if not an archive?  What is a personal journal if not an archive?  Even a house, as it collects the objects and marks of interactions from its tenants, becomes a sort of archive of those who have inhabited it.  The tools of the digital age are not creating new cultural processes — they are providing new mediums in which those processes exist.  Flikr provides a sort of online scrapbook.  A blog is a form of online journal.  The phrase “digital house” even serves as a useful metaphor for the ways in which users interact with their personal computers — we collect artifacts of our digital lives on them, we make them messy, and we occasionally clean them, but they will always show traces of our use.

No, social networks are not unique in their ability to collect artifacts of a person’s life.  Nor do social networking websites make creating a personal archive easy.  Yes, for people familiar with a site like Flickr, for example, Flikr offers “less messy” way to arrange and store photos, but is it easier to use Flickr than, for example, keeping a shoe box filled with pictures?  Probably not.  Using Flikr requires knowledge of personal computers, knowledge of the the web browser, knowing how to navigate the site itself, and knowledge about how to upload pictures from a camera (or other device) onto the site.  In contrast, keeping pictures in a shoe box requires, well, dumping them into a shoe box.

No, digital technologies have not made archiving one’s life easier.  What digital technologies have done is simplified the processes of self publishing and distributing one’s personal archive.  The most prominent contemporary example of this kind of social networking tool is Facebook.  According to the operators of Facebook, “Facebook’s mission is to give people the power to share and make the world more open and connected. Millions of people use Facebook everyday to keep up with friends, upload an unlimited number of photos, share links and videos, and learn more about the people they meet” (1).  Facebook has the right perspective on the technology they provide.  Their emphasis is not on the ability to present yourself, but instead, they emphasize the ability to share — publicize — that information.

As a tool of the cultural archive that is the Internet, Facebook allows an unprecedented ability to publicize and distribute one’s personal archive.  Facebook, as of this posting, lists 6,424,889 accounts, meaning Facebook offers nearly six and a half million personal archives.  Archives of those people’s lives would have existed regardless of the Internet, but the digital versions of them, and the accessibility those digital versions provide, are a unique feature of the medium in which they exist.

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See... everyone has a blog...

See... everyone has a blog...

The ability to easily create and publish a personal blog might pose a unique problem for scholars of the future.  To this point in history, the majority of preserved written documents were published documents.  While publication is by no means a fail-safe of ensuring documents are culturally or intellectually significant (and also generates numerous other questions about what and who determines cultural significance), digital technologies have nearly eradicated the barrier to publication.  The results, from a historical perspective, should be interesting.  I discuss this potential problem in more detail in my “methodologies” section, but the summation is that anyone can publish anything, which eliminates any sort of hierarchical filter.  Whether this elimination of filters is “better” or “worse” is not an argument I’m interested in presenting, and the answer is surely “it depends.”  But the byproduct of eliminating hierarchical filters, regardless of any value judgments, is the archival documents with which interested parties review our current cultural moment will be different.

An example which interests me is a personal blog called “Reshaped Jakie” (www.reshapedjackie.com).  Reshaped Jackie is a blog written by a Georgia woman who is recording her experiences following a diet program called Reshape the Nation.  The content is provides is not as significant as the archivization of its content.  Because of the Internet, a single person’s personal interaction with a diet program that may or may not (and probably not) exist in 50 years, is available and retained in the cultural archive.  This artifact Jackie is creating — a constant recording of a single person’s interaction with a diet program of the early 21st century — is an artifact that, in any historical moment prior to the digital age, would very likely not have been published, and probably not even have been recorded.

And Reshaped Jackie is only one example of thousands — maybe millions — of personal publications.  These blogs produce a lot of published and archived content.  How will scholars sift through the archives of the digital age?

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Way… Way… Way back: Archiving the Internet

by Aaron

For as much as Digital Textuality discusses the concept of the “Internet as a Digital Archive of Human Culture,” it is important to remember that people are already archiving the Internet.  The best example is the Internet Archive, which allows users to view past versions of websites.
The fact that an archive is archiving the Internet [...]

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Fan Sites: Archiving an Entertainment Culture

by Aaron

Fans existed before the Internet.  Sports fans existed.  Music fans existed.  Fans of any entertainment culture existed.  But before the Internet, how were those cultures cataloged and preserved?  They were cataloged in historical perspective.  For example, a simple search of the words “Baseball,” “Fan,” and “History” in the catalog of the Library of Congress reveals [...]

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Digital Textuality: An Introduction to the Project

by Aaron

In the introduction to Jacques Derrida’s printed lectures on the concept of archives, Archive Fever: A Freudian Impression, Derrida offers a tantalizing hypothetical. He wonders how the discipline of psychoanalysis might have been born in the crucible of contemporary digital cultures. Derrida says:
One can dream or speculate about the geo-techno-logical shocks which would have made [...]

Read the full article →